Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, John Cazale, Talia Shire, Lee Strasberg, Michael V. Gazzo, G. D. Spradlin, Richard Bright, Gastone Moschin, Tom Rosqui, Bruno Kirby, Frank Sivero, Francesca De Sapio
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
This is by far the greatest movie of all time! Even better than the first Godfather!
Worthy sequel to the first movie. In something more meditative and unhurried, in something more philosophically meaningful than its legendary predecessor. Backstage games and backstage talks replaced the dramatic mood swings of the main characters and the exchange of fire. The second film continues the story of Michael Carleone in the role of the Godfather, and also complements the family story...
Building on the first volume, this self-adaptation by writer Mario Puzo and director Francis Ford Coppola develops the story of the new Don - "Michael" (Al Pacino). His attempts to expand, and to a certain extent legitimise, the family businesses see him associating with the duplicitous "Hyman Roth" (Lee Strasberg) in Cuba; subject to betrayal, assassination attempts and fighting what may be a los...
This Hollywood style formula movie about mobsters isn't as pathetic as the first or third one, simply because it is too dull and poorly directed to stay awake through. It's basically just a bunch of scenes of people "talking tough" or getting killed, with no point. If you're looking for a plot or story, forget it. There is none. It's a muddled mess. It appears that by the end, the chief mobster ...